Winter Portfolio

Winter Portfolio
I think that my project has definitely gotten better ever since I first started. I started to try to get more color in my photos, and have those colors create abstract shapes. I also tried to keep a balance of light in my photos because I did not want the viewer's eye to draw too far out to a place where there's too much light. I also learned that things that emit color are better to take pictures of than objects that just have color in them. I tried to make my photos very simplistic too, and this makes the viewer calm. I'm really proud of how my project has turned out.

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Spring Project 3

Spring Project 3 I went all out for this series. I had taken many photos over the past weeks, and I was able to edit all of them this week. I'm really proud of how this week turned out because I created a sense of flow in each image, despite having a wider range of subjects in the series. I used more natural lighting this time too, and I avoided creating silhouettes. One of the problems with this specific post is that the dimensions of each image are not consistent. This has been a very fun but tedious project to work with.

Fall Series 3

Fall Series 3: Nathan Lyons I am basing my project on Nathan Lyons' photos. His visual recipe is: odd subjects out of their natural habitat, dark and urban backgrounds, shadows, and black and white. What make his photos have a general theme of oddness are how most of his subjects he takes pictures are usually out of context and out of place. His photos never featured or showed any "real" person, but could have featured "not real" or "fake" people. A "real" person is a direct picture of a living person, while a "not real" or "fake" person could be a physical copy of an image of someone, or a mannequin. There wasn't really anything "living" in his photos. He did this in order to create an isolated feel to his images, as a photo with no "real" human face makes the viewer feel secluded.

Composition 2- Leading Line, Repetition, and Depth Staging

Leading Line A leading line in a picture is essentially a photograph where there is a shape of a line which moves from the front of the photo to the back. This line helps guide the viewer to the subject in the photo, which is at the end of the line. I took photos of leading lines using sidewalks, pipelines, streets, and architecture. Repetition A photo with repetition is one in which there is the same subject being repeated and going in the same direction, making the further subjects smaller than the closer subjects bigger. I illustrated repetition through a fence, stairs, garage doors, and apartment windows. Depth Staging Depth staging is when there are two subjects, one distinctly in the front and one distinctly in the back. Depth staging creates perspective for the viewer. I made examples of depth staging with cars on the street being in the back, and having various subjects in the front.

DREW PHOTO Max

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